kuma怎么读,kuma的音标和真人发音
  

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[地名] [尼日利亚、印度尼西亚] 库马;[地名] [俄罗斯] 库马河

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This article introduces the villa named “ bamboo wall ” which was designed by the Japanese architect Kengo Kuma , with analysis of the design process .
本文介绍了日本建筑师隈研吾在建筑师走廊项目中设计的别墅:竹墙,并结合建筑师的创作历程进行分析、反思。
Above all , it shows out the variety of Kuma ’ s architecture style , which has undergone phases of post-modernism , particle architecture , and erase architecture .
首先揭示其建筑风格的多变,其设计思想先后经历了后现代主义、微粒建筑、消解建筑等阶段。
Kengo Kuma is not only an architect , but also a theorist , who is good at thinking . He is the author of a number of articles related to architectural theory .
隈研吾不仅是位建筑师,还是位擅于思考的理论家,著有多篇建筑理论相关的文集。
The tendencies are Phenomenology , Critical and Japanese Culture.This thesis make Kengo Kuma ’ s architectural design concepts and design techniques as a research topic . Hope to show not only the theoretical results , as well as the origin and process of works and the theories .
本文把隈研吾的建筑设计理念和设计手法作为研究课题,希望展现的不仅是理论结果,还有作品和理论的发展起源和过程,知其然,知其所以然。
In addition , he was concerned about the development of world economy in order to study the relationship between architecture and environment , while kept thinking about the architectural design , which is fit for the chaotic urban environment , by architectural practice.This thesis conducts a research on Kengo Kuma .
另外,他关注世界经济的发展,以此来研究建筑与环境的关系,并通过建筑实践不断思考适合于杂乱无章的城市环境的建筑设计。本文以隈研吾为研究对象。
Moreover , the inversion result from the data of 1999-2001 in the northeastern margin of Qinghai-Tibet block indicates that eastwards along Kunlun Mountain pass-Dari and Kuma faults of East-Kunlun tectonic belt and extending eastwards to southeastern Gansu and the boundary zone between Gansu and Qinghai , it is still possible for potential hypocenters to exist .
此外,1999~2001年青藏块体东北缘地区的反演结果表明,沿东昆仑构造带的昆仑山口&达日及库玛断裂向东至甘东南、甘青交界区域,可能仍存在潜在震源。
As the focus chapter , the end two chapters of this paper express the unified and fusion among architecture , environment and people through analysis the materials , light , structure in the architectural details and the interpretation of the whole style and further showed the view of the eliminate architecture about him.Kengo Kuma is rooted in the soil of the Japanese national culture and creating a lot of architecture space which possess the verve of the eastern culture .
文章的最后两部分为本文的重点章节,通过对其建筑细部中材料、光线、结构的分析以及整体风格的诊释,表达了建筑、环境与人三者之间的统一融合,进一步表明了他建筑自然观的真谛。隈研吾植根于日本民族文化的土壤,不断探寻着建筑的本质,创造出了许多极具东方文化神韵的建筑空间。
Secondly , in the third chapter of the paper , the author begins from the angle of the east culture of the Buddhism , analyzes the expression of the Zen ’ s artistic conception in the architecture space form , the spatial location , the natural materials about Kengo Kuma , thus also reflects his inherit and development to the eastern culture .
其次,在本文的第三章节中,笔者从东方文化中禅学思想的角度出发,分析了禅之意境在隈研吾建筑空间形态、空间场所、自然材质中的表达,从而也折射出其本人对于东方文化的传承与发展。
He accepts Western culture , at the same time , he consciously reflect on daily life and Japanese traditional culture . Then he solidified his experience in the buildings in a variety of ways.There are three main parts in this thesis : With the bottom-up perspective , Kuma ’ s design career is divided into four stages according to the time order by Chapter Three , respectively the embryonic stage , turning stage , development stage and mature stage .
他在接受西方文化的同时,对日常的生活自觉反省并对本国传统文化深刻思考,运用多种方式将其体验固化在建筑中。本文主体分为三个部分:第三章以自下而上的视角,按时间顺序将隈的设计生涯分成四个阶段,分别为雏形阶段、契机阶段、发展阶段和成熟阶段。
As one of the most famous Japanese architect , Kengo Kuma has a high international reputation .
隈研吾(KengoKuma)作为当今日本著名的建筑设计师之一,享有较高的国际声誉。