This article introduces the villa named “ bamboo wall ” which was designed by the Japanese architect Kengo Kuma , with analysis of the design process .
Above all , it shows out the variety of Kuma ’ s architecture style , which has undergone phases of post-modernism , particle architecture , and erase architecture .
首先揭示其建筑风格的多变,其设计思想先后经历了后现代主义、微粒建筑、消解建筑等阶段。
Kengo Kuma is not only an architect , but also a theorist , who is good at thinking . He is the author of a number of articles related to architectural theory .
隈研吾不仅是位建筑师,还是位擅于思考的理论家,著有多篇建筑理论相关的文集。
The tendencies are Phenomenology , Critical and Japanese Culture.This thesis make Kengo Kuma ’ s architectural design concepts and design techniques as a research topic . Hope to show not only the theoretical results , as well as the origin and process of works and the theories .
In addition , he was concerned about the development of world economy in order to study the relationship between architecture and environment , while kept thinking about the architectural design , which is fit for the chaotic urban environment , by architectural practice.This thesis conducts a research on Kengo Kuma .
Moreover , the inversion result from the data of 1999-2001 in the northeastern margin of Qinghai-Tibet block indicates that eastwards along Kunlun Mountain pass-Dari and Kuma faults of East-Kunlun tectonic belt and extending eastwards to southeastern Gansu and the boundary zone between Gansu and Qinghai , it is still possible for potential hypocenters to exist .
As the focus chapter , the end two chapters of this paper express the unified and fusion among architecture , environment and people through analysis the materials , light , structure in the architectural details and the interpretation of the whole style and further showed the view of the eliminate architecture about him.Kengo Kuma is rooted in the soil of the Japanese national culture and creating a lot of architecture space which possess the verve of the eastern culture .
Secondly , in the third chapter of the paper , the author begins from the angle of the east culture of the Buddhism , analyzes the expression of the Zen ’ s artistic conception in the architecture space form , the spatial location , the natural materials about Kengo Kuma , thus also reflects his inherit and development to the eastern culture .
He accepts Western culture , at the same time , he consciously reflect on daily life and Japanese traditional culture . Then he solidified his experience in the buildings in a variety of ways.There are three main parts in this thesis : With the bottom-up perspective , Kuma ’ s design career is divided into four stages according to the time order by Chapter Three , respectively the embryonic stage , turning stage , development stage and mature stage .